It was interesting going through this book but I’m not sure the work made much of an impression on me.
Publisher’s presentation:
Among the most compelling and iconic images of art in the 1970s are the pioneering investigations of performance and experimental media by Ana Mendieta. An American artist born in Cuba, she explored in her work her Caribbean roots through the lens of exile. She meticulously documented her ephemeral site-specific artworks, on beaches and in rivers, across flowery fields and against walls of rock. Here for the first time, Olga Viso, the leading authority on the artist, presents a beautifully curated representative selection of photographs and drawings from the artist’s archive, only a small selection of which has been previously published. This volume traces Mendieta’s early studies as an art student in Iowa; the genesis of her signature works, the archetypal female forms known as siluetas; and, public art projects, including ones being developed at the time of her tragic death in 1985.
Extracts (not 100 percent sure they’re all from the book):
